The Adventures of Thin Lizzy is a great starting point for our fledgling record collection. Striking album artwork coupled with a simple, yet, evocative title inspire a keen sense of intrigue and anticipation even before the chords of the opening track, ‘Whiskey in a Jar’, can be heard.
Unlike many albums, which throw the kitchen sink at the first track before slowly descend into mediocrity, The Adventures of Thin Lizzy starts by leaving you with the sense that more is to come. Whilst the dynamic of this album is slightly different, given that it is a ‘greatest hits’, it still trumps other albums that would pale in insignificance when compared to this record. It is at this point I should like to point out that this blog prefers not to review ‘the best of’ as we view it as counterintuitive and hypocritical. However given the sheer scope and expense of record collecting I think we can be pardoned on this occasion.
For those familiar with Thin Lizzy then front man Phil Lynott is a household name. For those who aren’t, Lynott’s vocal prowess becomes apparent from the beginning of the album. The opening duo that kicks off side one – the aforementioned ‘Whiskey in a Jar’ and ‘Wild One’ – are an easy listen yet leave you wanting more. Both tracks serve as somewhat of an appetiser for what will transpire to be a thoroughly enjoyable musical feast.
The two marquee songs, originally from the album ‘Jailbreak’, that follow tracks 1 & 2 are seen to be held responsible for cementing the bands status as stars. It isn’t hard to ‘see’ why. The frenetic pace of ‘Jailbreak’, complimented by the instantly recognisable ‘The Boys are Back in Town’, serves to really up the tempo on this album. Lynott’s proclamation “tonight there’s going to be a jailbreak” yelled over the top of some catchy guitar riffs signify the album is ready to deliver the main course. ‘The Boys are Back in Town’, arguably the bands’ most famous song, creates a sudden urge to tap/sing along to this vintage tune.
‘Don’t Believe a Word’ and ‘Dancing in The Moonlight’ complete an enjoyable side one. The former is very much in the ilk of tracks 3 & 4. The latter, one of my favourite Thin Lizzy songs, demonstrates the dynamism of Lynott – the song is groovy and upbeat, whilst simultaneously giving off a relatable down to earth vibe.
Physically getting up and turning the record over to side two, whilst glancing at the delightful artwork on the sleeve, is one of the many joys of owning vinyl. The change to side two carries on from where side one left off. ‘Waiting For an Alibi’ ups the ante again as another foot stomper showcases a quintessential Thin Lizzy track – Scott Goram and Gary Moore’s lengthy guitar solos typify this.
‘Do Anything You Want To’ follows suit adequately. The temporary slowing of the tempo, from the impassioned ‘Sarah’, is quickly raised again by ‘Chinatown’ – the penultimate track on this album. The album concludes with ‘Killer On The Loose’, a great way to end this record.
Whilst Lynott is sadly no longer with us, his & Thin Lizzy’s work endures. The larger than life way in which he lived his life is really reflected on this great album. The Adventures of Thin Lizzy is a credit to Lynott and the rest of the band. A must have for any fan of 70’s music.
Favourite Song – Dancing In The Moonlight
Hidden Gem – Sarah
Rating – 8/10